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Authentizität und Originalität antiker Bronzebildnisse: Ein gefälschtes Augustusbildnis, seine Voraussetzungen und sein Umfeld/Authenticity and Originality of Ancient Bronze Portraits: A Forged Portrait of Augustus, Its Prerequisites, and Its Surroundings

Authentizität und Originalität antiker Bronzebildnisse: Ein gefälschtes Augustusbildnis, seine Voraussetzungen und sein Umfeld/Authenticity and Originality of Ancient Bronze Portraits: A Forged Portrait of Augustus, Its Prerequisites, and Its Surroundings

Since 1970, the International Congress on Ancient Bronzes has been held 19 times, most recently at the J. Paul Getty Museum in 2015 where, as always, it attracted experts in many specializations. Usually an exhibition is held in conjunction with a bronze congress, as with Power and Pathos: Bronze Sculpture of the Hellenistic World (J. Daehner and K. Lapatin, eds. [Los Angeles 2015]). Lehmann did not attend that bronze congress.

L’architecture monumentale grecque au IIIe siècle a.C.

L’architecture monumentale grecque au IIIe siècle a.C.

This volume, derived from three workshops held in France in 2011 through 2013, was generated by the editor’s desire to reconsider the official date assigned to Temple A of Leto at the Letoon in Xanthos. His original agenda receives little explication here, but the project led to this thorough exploration of a phase that is customarily paired with the subsequent century or so as Hellenistic.

Le temps de Rhodes: Une chronologie des inscriptions de la cité fondée sur l’étude de ses institutions

Le temps de Rhodes: Une chronologie des inscriptions de la cité fondée sur l’étude de ses institutions

This weighty tome is a revised edition of Badoud’s doctoral thesis, submitted to the Uni­versities of Neuchâtel and Bordeaux III in 2007. It reassesses the chronology of the inscriptions of Rhodes and its Peraia after the synoikism of Ialysos, Kameiros, and Lindos, dated by the author to 408 B.C.E. Its aim is to throw new light on the history and institutions of the Rhodian state.

Origins of Classical Architecture: Temples, Orders and Gifts to the Gods in Ancient Greece

Origins of Classical Architecture: Temples, Orders and Gifts to the Gods in Ancient Greece

Wilson Jones attempts a holistic approach to the age-old question of the origin of the Greek temple and its orders, to examine it not only in the context of architectural history but as part of the broad religious, cultural, and artistic context in which the temple emerged. It is an ambitious undertaking, made even more challenging by the author’s choice to follow a thematic rather than chronological approach to the issues. A preface and introductory chapter lay out Wilson Jones’ basic goal and his approach to it.

The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity

The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity

This long and leisurely book is significant for its insistence that one must understand the imagery on Greek painted pottery against the background of Greek literature, and for its strong case for the imaginative playfulness of painters of black- and particularly red-figure pottery at Athens rendering problematic the assumption that images on pots illustrate life. These points are well worth making, but Hedreen’s methodology raises serious questions.

Kition-Bamboula VI: Le sanctuaire sous la colline

Kition-Bamboula VI: Le sanctuaire sous la colline

The publication of the “temple below the hill” at Kition-Bamboula is a rewarding and beautiful book. The authors begin with a history of the excavations at this important site, most notably under the British mandate, when much of the hill was removed to fill swamps during a malarial epidemic in 1879. Subsequently, numerous artifacts were brought to the British Museum from the hill. Among them were an inscription in Phoenician referring to a “Temple of Astarte” and a royal inscription of King Milkyaton of Kition.

Climate and Ancient Societies

Climate and Ancient Societies

Climate and Ancient Societies is a wide-ranging contribution to the discourse on ancient climate change and the responses of (mostly) prehistoric communities and societies to it, containing papers from a workshop held in Denmark in 2009. The editors situate the book as a contribution to contemporary debates on climate change and environmental problems; they argue that archaeology is relevant to the present and future and has, with its longue durée perspectives, “much to bring to the table” (24).

Etruscan Identity and Service in the Roman Army: 300–100 B.C.E.

Etruscan Identity and Service in the Roman Army: 300–100 B.C.E.

This article explores how Etruscan artwork presented soldiers in visual media during the Middle Roman Republic (ca. 300–100 B.C.E.), a period when Etruscan communities were required to contribute contingents to the Roman army. It proposes a class-based model for how Etruscans formulated their military identities. Elite representations, in particular cavalry combat on cinerary urns, displayed elaborately hellenized soldiers rather than Roman-style combatants. Meanwhile, nonelite representations, primarily featuring infantrymen on more economically accessible votive figurines, either displayed hybrid panoply or made no attempt to differentiate the portrayed soldier from a generic Roman citizen legionary. In the realm of martial identity, Etruscan elites in visual media appeared culturally aloof from Rome as well as socially removed from common soldiers in their own communities. The article concludes by placing the corpus of Etruscan evidence in the context of more scattered evidence from across the peninsula and suggesting that the tendency of elites to eschew the Roman panoply in visual media, and of nonelites to partially or wholly embrace it, was widespread in Italy prior to the Social War.

More articles like this: 

Etruscan Identity and Service in the Roman Army: 300–100 B.C.E.

By Michael J. Taylor

American Journal of Archaeology Vol. 121, No. 2 (April 2017), pp. 275–292

DOI: 10.3764/aja.121.2.0275

© 2017 Archaeological Institute of America

Appropriation and Emulation in the Earliest Sculptures from Zincirli (Iron Age Samʾal)

Appropriation and Emulation in the Earliest Sculptures from Zincirli (Iron Age Samʾal)

Monumental structures clad in relief-carved stone orthostats adorned cities across the fragmented political and ethnolinguistic landscape of the Iron Age Syro-Hittite kingdoms. This building practice passed down from the Hurro-Hittite Late Bronze Age evoked a collective memory of legitimate authority and was important for the construction of royal sovereignty. Differences among individual monuments suggest how Syro-Hittite rulers may have deployed monumental construction to navigate an “eventful” history by adapting it to current political exigencies. This article reevaluates the date of orthostats found in the South Gate of Zincirli, Turkey (ancient Samʾal), applying a seriation approach to the comparison of their stylistic details and iconographic themes and motifs with sculptural groups from other sites. The conclusion that the orthostats date to the early 10th century B.C.E. and are thus older than the ninth-century refoundation of the city suggests that they were recycled from an earlier Neo-Hittite site, proposed to be nearby Pancarlı. The appropriation of architectural spolia in the South Gate and the emulation or imitation of older works in the Citadel Gate by the founders of a new regime reveal a dialectic between the embrace and rejection of traditional Hittite sources of authority.

More articles like this: 

Appropriation and Emulation in the Earliest Sculptures from Zincirli (Iron Age Samʾal)

By Virginia R. Herrmann

American Journal of Archaeology Vol. 121, No. 2 (April 2017), pp. 237–274

DOI: 10.3764/aja.121.2.0237

© 2017 Archaeological Institute of America

Working for a Feast: Textual Evidence for State-Organized Work Feasts in Mycenaean Greece

Working for a Feast: Textual Evidence for State-Organized Work Feasts in Mycenaean Greece

Communal feasting has provoked much interest among scholars of Aegean prehistory. Discussions of the archaeological, archaeozoological, and textual data of the Mycenaean Palatial period have provided important insights into the role of this ritual practice as part of a sociopolitical strategy of the Mycenaean elite. In the course of these discussions, an increasing number of Linear B documents have been viewed as recording provisions of animals and mixed foodstuffs for state-organized banqueting. The interpretation of other records along similar lines, however, is a highly disputed matter. For example, some scholars view the Fn tablets from Pylos as lists of allocations of barley to the participants of religious feasts. Others, however, regard most of the tablets of this series as purely secular in character and consider them as allocations of grain to “industrial” workers. If one views the recipients listed in these records as attendants not of religious feasts but of secular work feasts (containing some religious elements), much of the contradiction disappears. In addition, this interpretation, which allows for the juxtaposition of predominantly secular features and a few religious aspects as well as for the large number of occupational designations, may also apply to texts from Mycenae and Thebes that have been the focus of much discussion.

More articles like this: 

Working for a Feast: Textual Evidence for State-Organized Work Feasts in Mycenaean Greece

By Jörg Weilhartner

American Journal of Archaeology Vol. 121, No. 2 (April 2017), pp. 219–236

DOI: 10.3764/aja.121.2.0219

© 2017 Archaeological Institute of America

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