January 2025 (129.1)

Museum Review

Byzantium in “Africa”

By Risham Majeed

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A major exhibition displacing Europe as the engine that shaped global Christianity is a moment to savor. Africa and Byzantium at the Metropolitan Museum of Art in New York presented northern Africa as a sophisticated and equal partner in the fabrication of visual status in late antiquity instead of as it has customarily been seen, as a derivative province in the Roman world. It drew a general public’s attention to the constitutive role played by lands south of the Mediterranean in the production and circulation of luxury goods, and, through them, in the promulgation of early Christianity.

View of the entrance to Africa and Byzantium, on view 19 November 2023 to 3 March 2024 at the Metropolitan Museum of Art (A.-M. Kellen; courtesy the Metropolitan Museum of Art).

View of the entrance to Africa and Byzantium, on view 19 November 2023 to 3 March 2024 at the Metropolitan Museum of Art (A.-M. Kellen; courtesy the Metropolitan Museum of Art).

View of the entrance to Africa and Byzantium, on view 19 November 2023 to 3 March 2024 at the Metropolitan Museum of Art (A.-M. Kellen; courtesy the Metropolitan Museum of Art).

View of the entrance to Africa and Byzantium, on view 19 November 2023 to 3 March 2024 at the Metropolitan Museum of Art (A.-M. Kellen; courtesy the Metropolitan Museum of Art).

Byzantium in “Africa”

By Risham Majeed

American Journal of Archaeology Vol. 129, No. 1 (January 2025), pp. 139-146

DOI: 10.1086/733893

© 2025 Archaeological Institute of America